Swan-Cross is proud to make available a varied collection of quality choral
works for the choral director.
Note that, to view the sample pages, you must have a PDF viewer, such as
Acrobat Reader, which is freely distributed by Adobe, Inc.
To listen to the recordings, you also need a program or device capable of downloading and playing MP3 files.
Pieces are grouped alphabetically by voicing.
| Title | Description | Samples | Recording | Order |
|---|---|---|---|---|
Behold, a Virgin Shall Conceive SATB with piano accompaniment and optional children's choir, handbells Approx. perf. time: 4:25 Prices: |
Written primarily for use at Advent, this anthem is based on Mary's famous affirmation of faith, sometimes called the "Magnificat." This anthem can be performed with or without a children's choir (the sopranos taking the children's part), but it is definitely enhanced by the presence of the children's or youth voices. There is also an optional handbell part available. Unfortunately, although it has been performed several times at a number of different churches (since its premiere at Ramstein, Germany), I have never been able to get a decent recording, so the demo recording here is done with electro-acoustic instruments. |
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Have Yourself a Merry Little Christmas SATB, a capella (or with optional piano accompaniment) Approx. perf. time: 2:15 Prices: |
This arrangement of the popular song by Hugh Martin and Ralph Blane was commissioned by the Sounds of Praise Singers of Newark, Ohio, for their 2007 Christmas season. Intended primarily to be performed as an a capella arrangement, it also has an optional piano accompaniment for those groups who desire to use it. I have no recording of a performance yet, so the demos available here are done with electro-acoustic instruments. The fermatas near the end are a little messed up on the a capella version, unfortunately (Finale's kind of quirky when it comes to playing back fermatas and such...). |
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Holy! SATB with handbells and organ accompaniment Approx. perf. time (std. version):
4:00 Prices: * Handbell parts are included only in the PDF version. |
This anthem is slated to be the second in a collection of anthems titled Songs from the Revelation. The text is taken from the Revelation of St. John, chapter 4, verses 8 and 11. How do you invoke the ambience of heaven? This anthem has two versions: the standard version and a somewhat more challenging and slightly longer advanced version. When ordering, please specify which version you want. This piece has not yet been performed, but it is under consideration. Perhaps you would like to perform the world premiere? The demo recordings presented here are done with electro-acoustic instruments. |
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Hosanna! SATB with children's choir, piano accompaniment, and optional recorder descant Approx. perf. time: 3:40 Prices: |
Suitable especially for Palm Sunday. This arrangement can be performed with or without a children's choir, but it is especially nice when done with. Its Jewish flavor makes it ideal for a Palm Sunday processional, complete with waving palm leaves. Unfortunately, although it has been performed several times in a number of different churches, I have not been able to get a decent recording of it. So, the demo recording presented here is done with electro-acoustic instruments. |
209 Kb |
3.5 Mb |
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The Old Rugged Cross SATB with piano accompaniment Approx. perf. time: 6:00 Prices: |
This special arrangement was written for and premiered by the Vintage Voices of Granville, Ohio, for their Palm Sunday concert in 2007. This anthem should be accessible to most SATB choirs, though it has its challenges. Overcoming those challenges has its reward, though, according to many members of the choir who premiered it. The recording here is from the premiere presentation of this piece. |
226 Kb |
5.7 Mb |
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The Paschal Lamb SATB cantata with instrumental accompaniment |
This Holy Week (Easter) cantata is unique in that the text for it is taken entirely from the Old Testament. This work is an intriguing mix of classical and rock influences and is guaranteed to be not quite like anything else you've ever experienced. Powerful! For more information, samples and demo recordings, see The Paschal Lamb. |
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SATB with piano accompaniment and optional flute solo and descant Approx. perf. time: 5:15 Prices: |
This general-purpose anthem was commissioned by the Presbyterian Church at Bristol, PA, for the ordination of their new pastor, circa 1985. To my knowledge that performance was the only time this work has been performed, though I could not tell you exactly why. The reaction from the choir was positive, though they did admit that they found it challenging. Unfortunately, I have no recording of that performance, so the demo here is done with electro-acoustic instruments. |
242 Kb |
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Psalm 117 SATB with piano and optional instrumental accompaniment Approx. perf. time: 2:35 Prices: |
Written as part of The Paschal Lamb Easter cantata, this is the only selection from that cantata that can be effectively used as a standalone anthem. This short anthem, written in a lively 7/8 meter, combines traditional choral writing with a canon (round), for a joyful celebration of God's praise. Can be performed with piano only, or with a variety of optional extra percussion and other instruments (instrumental parts available separately). |
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Thine Is the Glory! SATB with brass, piano, and organ accompaniment Approx. perf. time: 3:40 Prices: |
This arrangement of the popular hymn was commissioned and premiered by the musicians at Spring Hills Baptist Church in Granville, OH, for the Easter services in 2003. For a little extra spice, you can add guitars, bass, and drums in the second and third stanzas. We did at Spring Hills, and it made for a nice blended style experience for all. Unfortunately, I have no recording of that performance, so the demo here is done with electro-acoustic instruments. |
| Title | Description | Samples | Recording | Order |
|---|---|---|---|---|
An Irish Blessing 5-part round with optional 4-hand piano accompaniment Approx. perf. time: Varies Prices: |
Who knew a round could be so earthy, so complex-sounding, so—not simplistic? This piece uses the traditional "Irish Blessing" text and sets it in a round that can be done in up to 5 parts. The accompaniment can be done with either 2 or 4 hands. I wrote this as a spring concert closer for my middle and high school choirs to do together, when I was teaching. Because it is a round, it was relatively easy to teach in a short time. By placing my students in various groups around the auditorium, the audience was treated to a surround-sound blessing at the end of the concert. I unfortunately do not have a live recording of this piece, so the demo here was done using electro-acoustic instruments. |
“Qui cantat laudem non solum cantat, sed et amat eum
quem cantat.
(He who sings praise is not only singing, but also loving Him whom he
is singing about/to/for.) ”
St. Augustine
of Hippo
Corpus Christianorum Latinorum, vol. 39